On the brink of fifty, Robert Gattling runs away to Mexico in a custom Mercedes motor home, searching for something he can’t define. After a harrowingly close call on a narrow bridge, he encounters two itinerant Mexican teenagers—violent, belligerent Berto and naïve village girl Conchita—who become Gattling’s reluctant wards, traveling companions, and partners in a scheme that the American concocts in an effort to finally rid himself of guilt that has plagued him throughout his extraordinarily fortunate life. Twice divorced, having succeeded at and abandoned two careers—the second of which made him rich—Gattling has never been able to forgive himself his transgressions, to see himself as having given more than he’s taken. The ghost of a homeless prowler who died twenty years ago, victim of an accidental blast from Robert’s shotgun, rides along wherever the traveler goes. Fearing that he’ll become just another aged Berkeley crank, Gattling flees his hillside house, with its expansive view across the San Francisco Bay, and his comfortable Bay Area life. He also leaves a lover, the pixyish real estate agent Mardi, denying himself the privilege of returning her heartfelt affection. But his problems with women and sex, like his guilt, follow him along the roads of Mexico. Even after he finds Selina—a mature and serene beauty with whom he can imagine building a new life—he cannot extract himself from entanglements old and new. Back in California, Gattling and the young Mexicans—along with mellow Don Luis, a wizened wanderer from Costa Rica—restore a grand old Los Angeles house for sale, a project aimed at establishing the immigrants in business. But despite Gattling’s admirable intentions, the house becomes a bizarre ménage, a dysfunctional polygamous family in which three women vie, with a remarkable degree of civility, for his favor while the twitchy, resentful Berto—ever primed to attack—prowls the periphery. In Ro Penitente, author Angus Brownfield has crafted a compelling, cerebral modern novel with elements of both the picaresque and the potboiler. In Robert Gatling, he has created a thoroughly sympathetic, deeply flawed character whose better impulses offer little defense against disaster.
What if dragons living on the moon fell from the sky and secretly made their homes in trash dumps all over the world? Maureen Schlukbier’s The Dragon Moon will delight young readers with tales of friendship and fun as the fallen dragons are forced to live in seclusion and deal with familiar problems for children of all ages. Richly illustrated by Greg Carter, these delightful tales of funny, friendly, colorful dragons are sure to make any child laugh and wonder, “Why on earth would anyone be afraid of a dragon?”
His neighbors know that Rigoberto Calderon keeps two families—one in the house that he shares with wife Carmen, next to his thriving auto repair garage in San Martín. and the other in the nearby city of Puebla. And yet they do not judge; or at least they do not betray his secret. Rigoberto is el maestro—a respected businessman, a caring mentor to his adoring young apprentices. Doesn’t he give Carmen everything a woman could want—except fidelity? But Rigoberto proves not as strong as he seems, not as resourceful. He can fix what’s wrong with any automobile, yet when tragedy wrecks the machinery of his complicated domestic life, he despairs. He selfishly walks away from all those who depend on him, trekking into the Sierra Madre—where spirits still haunt places of power—in search of what? Solace? Meaning? Forgiveness? It takes an outsider, a beguiling norteamericana from San Francisco, acting on a solemn vow, to lead an unlikely rescue party of women and children eager to rescue Rigoberto. And it takes the help of a village healer, a brujo who knows know how to turn lust into magic, to jolt a soul-stricken man back to life.
Ants talk . . . No, really they do, but in BUGS@PLAY: Puppet Shows in which Insects Confront People-Sized Problems, so do butterflies, ladybugs, and cockroaches. There’s even a singing grasshopper. This collection of puppet plays is perfect for reading—in groups or alone—and the plays are just as well suited for performing in a classroom, at camp, or in any setting where children—from the elementary grades on up–enjoy finding out about the natural world.
Playwright Ann Blum’s charming, six-legged characters take on people-sized problems in stories that illustrate how to identify insects, the insect life cycle, insect defense strategies, and even ways that many insects actually make the world a better place for everybody to live in.
With fun at the forefront, Blum also blends in lessons in vocabulary skills and social development. Parents grandparents, after-school supervisors, nature center staff and more will find the plays an invaluable resource. The author includes helpful lesson notes to aid adults in talking to kids about the creatures depicted in each play and to aid budding artists in making their own insect puppets.
Ants, by the way, talk in a language of chemical scents. But let them tell you about it… .